SHADOWS & SECRETS
To document my exploration of an abandoned car dealership near my home, I decided to work only in black and white, to focus on contrasts, textures, and abstraction. I began shooting in fall, and always returned to the dealership in early evening, when the sun cast long, sharp shadows.
Since all the doors, gates, and windows of the dealership were boarded up, the project soon became all about hidden spaces, and carefully managed decay. Every time I returned, I either found new scenes or details I had missed earlier, or decided to revisit areas previously photographed in order to work from a new angle.
Because I was technically trespassing, I worked in short stints for about 15 minutes at a time. Using a pocket-sized camera with a pancake lens let me move swiftly, and discreetly. This allowed me to gradually build up a photographic narrative that that grew and evolved over time.
I live in an area where housing is expensive, and scarce—and homelessness is at an all-time high. To see this sprawling property mothballed purely for speculation seemed outrageous to me, so I chose this minimalist and almost expressionist approach to express my anger and frustration.