STEVENS CREEK RESERVOIR, 2019–2021
Part of a three-year project, these black and white photographs explore human impact on a local reservoir in the foothills bordering California’s Silicon Valley. They reveal not only how people have affected this landscape by documenting material culture, but also show the wider impact of a mega-drought exacerbated by climate change.
By limiting myself to using only a smartphone, and working only in black & white, I wanted to spotlight the tangibility of what I found, as I explored the reservoir. But I was also interested in conveying the peculiar experience of traversing a lakebed on foot at a time when California was gripped by its worst drought in 1,200 years, and no-one knew when—or whether—the usual winter rains would return to replenish the lake.
The objects I found on that lakebed told a story of a profligate society living by the dictum of “out of sight, out of mind.” Old shoes, beer cans, and tires are only a fraction of what the receding water uncovered, and made me wonder about the people who had discarded them here, and their relationship to this location.
Yet at the same time, these relics also revealed an unexpected beauty in their patterns, textures, and shapes. Bleached driftwood emerging from thickets of weeds captured my imagination just as much as seedlings sprouting from mud, or the perfect symmetry of a discarded tire offset by jagged rocks. Here was a visual landscape perfectly matched to my monochromatic approach.